Sunday, 30 October 2016

Book Spotlight & Giveaway: A GHOST'S STORY BY LORNA GIBB

Published by Granta Books
6 October 2016

The novelised autobiography of the Katie King spirit: a tale of desire and delusion, belief and illusion

Throughout the 19th and 20th centuries seances and spiritualist meetings grew in popularity.  One 'ghost' appeared more than any other: the Katie King spirit.

A profound and curious consciousness guided into this realm by the faith of true believers, or the cheap trickery of parlour cheats and exploitative swindlers?  Katie King is both, and more.

A Ghost's Story explores the realm between fact and fiction, the blurred line separating reality from imagination, seducing you into hoping for the ethereal.  Through one spirit's quest to understand human faith, loss and passion, journey with Katie from the candle-lit drawing rooms of Victorian London to the Imperial Palaces of Tsars; from the shadiest of gimmicks and tricks, to the most poignant sincerity of the death-bed wish.

A Ghost's Story announces a narrator like no other, moving in and out of time and space, obstreperous, witty and profoundly honest.  Above all, it is an examination of belief, truth and what may be on the other side.


'Crossing time and continents, melding found material, real and fictitious characters and events, this is an intriguing, well-researched debut about truth and illusion, reality and the world of the spirit'
Daily Mail

'The author has a meticulous eye for historical detail and writes evocatively'
Irish Times

'Fascinating story of what it might be like to be a ghost, and the longing in us that makes us want them to exist'

'Lorna Gibb's compelling story of spiritualism and mediums is full of the most intriguing, bizarre detail as she reveals the insider secrets of seances from the use of lengths of muslin to a dollop of phosphorescence .... Gibb's novel is multi-layered ... add in a supporting cast of rogues, charlatans and true believers and the theatrical trappings of seances and you are pitched in a world that is rich and strange'
Sunday Express

About the Author

LORNA GIBB was born in Bellshill, North Lanarkshire, Scotland. She is a university lecturer and now lives in London. She is the author of Lady Hester: Queen of the East and West's World: The Extraordinary Life of Dame Rebecca West.  A Ghost's Story is her first novel.


Granta Books have kindly given me a copy of A Ghost's Story to give away to one of my readers.
For the chance to win a paperback copy just enter the Rafflecopter giveaway below
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For fans of Susan Hill's ghost stories and Sarah Waters' novels.
For readers of historical suspense novels such as The Miniaturist and The Night Circus.
For anybody that enjoyed Julian Barnes' Arthur and George or Hilary Mantel's Beyond Black.

Saturday, 29 October 2016


Today is my stop on the blog tour for My Sister's Bones by Nuala Ellwood

Published by Penguin in hardback and audio on 9th February 2017
Early ebook available on 1st November 2016

Kate Rafter is a high-flying war reporter. She's the strong one. The one who escaped their father. Her sister Sally didn't. Instead, she drinks.

But when their mother dies, Kate is forced to return to the old family home. And on her very first night she is woken by a terrifying scream. At first she tells herself it's just a nightmare, a legacy of her time in Syria.

But then she hears it again. And this time she knows she's not imagining it...

What secret is lurking in her mother's garden? 
And can Kate get to the truth...before she loses her mind?

From the moment I started reading until the last page I could not put this book down.  I did not know which way the story was going, there was so much going on.

There are three parts to the story:  the first is narrated by Kate, a war reporter who has just returned from the hell of Syria.  She has flashbacks of her unhappy childhood, she hears voices, has harrowing nightmares of Syria, she has hallucinations, images flit in and out of her head all the time, she pops sleeping pills like Smarties.  But is she really seeing things or is it just her imagination?  This is what kept me guessing and turning the pages.

The second part is narrated by her sister Sally who is an alcoholic.  Her daughter is missing, they didn't have a good relationship, she hates her sister Kate, she is very unhappy and her loving husband doesn't know how to help her.

The third and final part is where it all comes together, the twists and turns and unexpected shocks make this a terrific read.

Be sure to check out all the other stops on the blog tour

Tuesday, 25 October 2016

Book Review, Blog Tour & Guest Post: THE DEVIL'S FEAST BY MJ CARTER (Historical Murder Mystery)



Published by Fig Tree
27 October 2016

London, 1842. There has been a mysterious and horrible death at the Reform, London’s newest and grandest gentleman’s club. A death the club is desperate to hush up.

Captain William Avery is persuaded to investigate, and soon discovers a web of rivalries and hatreds, both personal and political, simmering behind the club’s handsome façade – and in particular concerning its resident genius, Alexis Soyer, ‘the Napoleon of food’, a chef whose culinary brilliance is matched only by his talent for self-publicity.

But Avery is distracted. Where is his mentor and partner-in-crime Jeremiah Blake? And what if this first death was only a dress rehearsal for something far more sinister?

Today is my stop on the blog tour for The Devil's Feast by MJ Carter.

The Devil's Feast is the third book in the series featuring the 'inquiry agents' of Blake & Avery set in Victorian London.

The story starts as Avery visits Blake in the notorious debtors prison, Marshalsea, where Blake is being held for a debt owed to a very wealthy and influential man. But, as we discover later, Blake is far too clever to be held there for long.

And Avery certainly needs his friends assistance later when, after dining at the Reform political club a member is suddenly taken ill then dies a horrible death and is suspected of being poisoned: the club decide to appoint Avery to discover the perpetrator of this terrible crime. But he needs to be discreet as London society must not know of this incident due to a banquet being held very soon for the prince of Egypt, which will be 'the pinnacle of the club's existence so far'.

The finger of suspicion inevitably points to the kitchen staff, where the flamboyant, grandiose and vain Alexis Soyer 'the Napoleon of Food' is head chef, the most famous chef in England at the time. What a wonderful and crazy character he was, he comes alive on the pages, wearing his lavender-coloured suits and hat.

But when questioning the staff Blake and Avery discover lies, jealousies, rivalries and was like hell's kitchen!

I believe the characters make this such an interesting and enjoyable read, from the two main protagonists to the lowly kitchen maids, they all contribute to the plot. This is a very clever mystery, rich in detail, especially the descriptions of the sumptuous meals being prepared and served. Made me feel hungry!

MJ Carter has written this fascinating piece about poisons especially for my blog.

The golden age of poison

I’m addicted to the 1840s, the first decade of Queen Victoria’s reign. It’s pretty much my favourite historical decade and it’s where I set my historical thrillers. I know most people don’t have a favourite historical decade, but then I am a historian by trade and obsessive inclination. And the 1840s were the beginning of the ‘golden age’, if you will, of poisoning trials. Even the Victorians themselves agreed. Over the 1840s there were 98 poisoning trials in Britain, almost all of them domestic crimes. How could I not write about poison?

The number of trials involving poison wasn’t the only unusual aspect. The fact was, many of the defendants were women, and most of them were poor. In 1843 two notorious female serial poisoners were executed. Elizabeth Eccles killed five of her children and a stepson—though she was suspected of having poisoned at least five other earlier children. Sarah Dazeley poisoned her first and second husbands and son.

The trials became notorious because they were seized on by the new mass-market weekly press (like the News of the World which started in 1842), which gleefully reported a series of thrillingly horrible cases in which defendants had remorselessly knocked off spouses, parents, children, siblings, lodgers and lovers. Readers lapped it up.

The reasons for this sudden surge in poison trials were several. Of course people had been poisoning each other and getting away with it for centuries. But in the previous decades arsenic and strychnine had become cheap and easily accessible because they were used to kill vermin and bugs. Both weren’t hard to disguise in strong-tasting food and drink, though they were both really terrible ways to die. Times were hard, the decade was known as ‘the hungry forties’, poison was a weapon of the poor and powerless and money or lack of it seemed often to be the motive. Parents did away with inconveniently hungry children, spouses murdered each other, and maybe most significantly, family members used it to collect on a marvellous new invention, life insurance, which at the time one could take out on another family member without them knowing.

But the real zinger that made the 1840s different was that poisoners could now be found out. Chemists had come up with tests that were sensitive and reliable enough to detect the presence of poison in human remains. The first of these was British chemist Edward Marsh’s test for arsenic, devised in 1836. It was used successfully in a famous French murder trial in 1840—followed obsessively in the press—to prove that a widow, Marie Lafarge, had done away with her husband. It was soon being used in other trials. Tests for other poisons followed, but it took a while for would-be poisoners to realise that they weren’t going to get away with it so easily.

So, as I say, I felt I had to write about poison in my new thriller, The Devil’s Feast. However, I’ve added a few twists and turns to make it all a little more complicated and unexpected.

Be sure to check out the other stops on the blog tour for more interviews and guest posts.

My thanks to Sara D'Arcy at Penguin Random House UK for inviting me to be a part of the blog tour.

Monday, 24 October 2016


Lost Diaries of Elizabeth Cady Stanton by Sarah Bates

Lost Diaries of Elizabeth Cady Stanton by Sarah Bates

Publisher:, Inc. (February 15, 2016) Category: Historical Fiction, Historical Romance Tour Dates: Oct/Nov, 2016 ISBN: 978-1634910262 ASIN: B01D6YS52G Available in: Print & ebook,  420 Pages 
  The Lost Diaries of Elizabeth Cady Stanton   
 From award winning author, Sarah Bates, 

Johnstown, New York, 1823: It is a time when a wife’s dowry, even children, automatically becomes her husband’s property. 
Slavery is an economic advantage entrenched in America but rumblings of abolition abound. 
 For Elizabeth Cady to confront this culture is unheard of, yet that is exactly what she does. Before she can become a leader of the women's rights movement and prominent abolitionist, she faces challenges fraught with disappointment. 
Her father admires her intellect but says a woman cannot aspire to the goals of men. 
Her sister’s husband becomes her champion–but secretly wants more. 
Religious fervor threatens to consume her. As she faces depression and despair, she records these struggles and other dark confidences in diaries. When she learns the journals might fall into the wrong hands and discredit her, she panics and rips out pages of entries that might destroy her hard-fought reputation. Relieved, she believes they are lost to history forever. 
 But are they? Travel with Elizabeth into American history and discover a young woman truly ahead of her time.

Praise for Lost Diaries of Elizabeth Cady Stanton by Sarah Bates

"Secrets of a suffragette.  After six years of research and writing, author Sarah Bates has published a new novel detailing the early life of suffragette Elizabeth Cady Stanton.  Bates crafted a historical novel weaving fictitious scenes around real events resulting in a story that reveals Elizabeth Cady the girl, who would become the famous suffragette. Throughout the novel, diary pages containing her innermost thoughts depict the fight for equality Cady faced in the 1800s."-Village News 

 "a likely glimpse into what influenced her strong leanings for women's rights, and for abolishing slavery. I thoroughly enjoyed reading this book and learning about the woman who was instrumental in forwarding the cause for women. She was a remarkable character, much before her time. This book is an encouragement to dig deeper into the history of our country and the amazing people who led the way."- Jackie Wolfred

Goodreads Reviewer "Reads like a novel, embraces well-researched facts like a work of non-fiction, and takes you through the early life of a woman’s suffrage pioneer. The book is an accurate and well-researched history done by a master of the descriptive word, thought and sentence."- Dan Feltham

Amazon Reviewer "A must read for anyone, especially those who love historical fiction. I picked up the book out of curiosity, and the author's research and attention to historical details did not disappoint. The reader is pulled into the life of this determined young woman, and lives her triumphs and frustrations in a time where woman fought to have a voice. Very well written, and engaging until the end!"- Buyer KLR, Amazon Reviewer 

 "Despite the great books written about Elizabeth Cady Stanton, Author Sarah Bates has managed to soar beyond the crowd with her refreshing and poignant portrayal of the famous suffragette. Bravo!"-Amazon Reviewer


Lost Diaries of Elizabeth Cady Stanton Excerpt, page 207-210 (793 words)
Elizabeth’s father agrees to allow her to travel home for Christmas by train. When her brother-in-law Edward arrives to accompany her, Elizabeth’s excitement soars.
Edward helped Elizabeth up the train steps and found a bench midway down the car. He brushed off the wooden surface with his handkerchief then hurried to stow her valise with the porter. When he returned to tumble into his place as the train lurched, the aroma of his cologne and the wool scent of his coat engulfed her and did much to dispel the reeking bodily odors of some of the passengers. Still, she held a perfumed handkerchief to her nose.
“A bit unsteady on my feet,” he said and laughed.
“Better you than me walking about this rocking train,” Elizabeth said, grateful she did not have to manage bulky petticoats along the narrow aisle for any distance.
By noon his questions about school and her animated responses waned.
“I am going to find us something to eat, and perhaps hot tea,” he said. He stood to investigate the train’s meal possibilities just as a young woman wearing a striped gown, a clean apron, and a starched bonnet began making her way down the aisle of their car. She carried a large basket covered with a white cloth.
“Lunch for all,” she cried. “Meat pies. Cakes. Hot tea.” When she turned their way, Edward beckoned her over.
He looked down at Elizabeth. “Well?”
“One of each,” she said. “I am starving.”
Edward braced himself in the narrow aisle as the woman came abreast of them. He made a selection from the basket, paid the young woman and with shaky hands handed Elizabeth a small teapot and two china cups. When the saleswoman eased by him to serve other travelers, Edward sunk down on the bench, his hands full, looking puzzled.
“I am not sure how we might consume these without a proper table.” He smiled at the absurd situation and shrugged his shoulders.
Elizabeth rummaged in her reticule handbag for another handkerchief. “Here,” she said, spreading it across her lap. “This will manage nicely for me. You have a similar handkerchief to protect your trousers as well.” She drew her skirts to her side to allow room between them for the cups and teapot then reached for the paper-wrapped pie in Edward’s hand. “Place the cakes here,” she said, gesturing to a narrow space beside the teapot.
Edward appeared to be uncomfortable with the cramped dining restriction, but she chose to ignore him and began devouring the food. Eating helped distract her from thinking about his closeness and how much she liked it.
For ten or so minutes the clanking of the train on the tracks, and its mournful wail as it rushed through a tiny village, combined with murmurs of polite chewing. The tea cooled by the time Elizabeth braved the sway of the railroad car to dare pour it into a cup. It revived her, nevertheless. In time the young saleswoman made her way back through the train to gather the debris from their luncheon. By then, Elizabeth’s curiosity about the remainder of their trip grew once again. Edward brought a book with him and opened it to its ribbon bookmark.
She glanced at the title: The Conquest of Granada by John Dryden.
“You have not recommended this author for me, Edward. Is it a good book? One that I would like?” she asked.
“It is a play written long ago in poetic stanzas–a tragic story of love and jealousy,” he replied, clearing his throat. “I rather like the words Dryden chooses,” Edward continued almost in a whisper. “You might like it too. When we arrive home, take the book. Read it.”
Elizabeth turned her attention to the landscape sliding by their window. Her face burned and she felt unsettled. What could he mean recommending a book with such a sensitive plot? Was there more to this than might be on the surface? With Edward here so close, she could steal glances at his profile without his knowing and then abruptly look away. Perhaps he was sending her a message. It’s nice having him here, warm and smelling of good cologne, leather and wool. She pressed her nose against the glass, recoiling at its sharp tingle. Best think of something else, she reckoned, pushing her careless thoughts of Edward deep down inside.
December 16, 1831
Dear Diary, the railroad train trip home turned out to be noisy and dirty. The best part? Edward. Having the dear man beside me and all to myself. He seemed a bit ill at ease, which surprised me, as we have been friends for so long. Having his handsome self so near was wonderful, though. I know envy is a sin, yet I envy my sister for her marriage to him. I will never be an angel for my thoughts are too wicked.

About Sarah Bates

Lost Diaries of Elizabeth Cady Stanton by Sarah Bates

Sarah Bates worked as an advertising copywriter for ten years then as a freelance writer.  Her clients included a book packager, the local chamber of commerce, a travel newsletter and a weekly newspaper where she covered business and schools. 
 Her short fiction has appeared in the Greenwich Village Literary Review, the San Diego North County Times (now the Union-Tribune) and the literary magazine Bravura. 
She is the author of Twenty-One Steps of Courage, an Army action novel published in 2012 and co-author of the 2005 short story collection, Out of Our Minds, Wild Stories by Wild Women.  
She is the winner of Military Category, for Twenty-One Steps of Courage, Next Generation Indie Book Awards (2013) and 2nd Place Finalist, The Lost Diaries of Elizabeth Cady Stanton, Unpublished Novel- Category, San Diego Book Awards (2015) Bates was an English Department writing tutor at Palomar College in California for ten years. 
She continues to privately tutor both academic and creative writing students and is writing a new novel. Sarah Bates lives in Fallbrook, California. 
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Thursday, 20 October 2016



Published by London Wall Publishing
30 June 2016

Set in the romantic and mysterious Italian city of Venice and the beautiful landscape of Tuscany, The Echoes of Love is a poignant story of lost love and betrayal, unleashed passion and learning to love again, whatever the price. 

Venetia Aston-Montague has escaped to Italy’s most captivating city to work in her godmother’s architecture firm, putting a lost love behind her. Paolo Barone, a charismatic entrepreneur whose life has been turned upside down by a tragic past, is endeavouring to build a new one for himself. Venice on a misty carnival night brings these two people together. Love blossoms in the beautiful hills of Tuscany and the wild Sardinian maquis; but before they can envisage a future together they must not only confront their past, but also dark forces in the shadows determined to come between them. Will love triumph over their overwhelming demons? Or will Paolo’s carefully guarded, devastating secret tear them apart forever?

Excerpt of “The Echoes of Love”
By Hannah Fielding

As it turned out, in the weeks that followed they had bumped into each other often at Fritelli, a coffee shop on San Marco square where Venetia stopped for a cappuccino and biscotti every morning on her way to work, and where she met friends at weekends for afternoon tea. Most days, Paolo arrived as she was leaving. Whenever their eyes crossed he had smiled politely, but had never stopped to talk.
And then tonight, on Martedi Grasso, at the grand ball that il Conte Umberto Palermi de Orellana was giving to celebrate the inauguration of his new home near San Marco square, and the first Carnival of Venice of the twenty-first century, Paolo had been there.
His tight Arlecchino outfit, with bright multi-coloured patches in diamond shapes and a short frilled collar, clung to his muscular body like a second skin, and he wore a white felt beret adorned with a rabbit tail. Almost stopping in her tracks as she had entered the vast ballroom, Venetia had recognised him behind the devilish features of his half-face leather black mask, not only because his athletic body towered over most of the guests, but also because of the easy, almost imperious way he moved through the crowd; and then of course, there was the deep cleft in the middle of his chin that would always give him away.
All evening, Venetia had been aware of the penetrating azure-blue eyes following her around the room, and when occasionally she met their enigmatic gaze she found it difficult to tear away from their scrutiny. Neither of them approached the other; they had merely circled around their mutual awareness, which vibrated heavily in the air no matter how dense the crowd became. And now, as she stood before the mirror, he had been there once more in the dim shadows, the reflection of his powerful silhouette caught in the glass by the leaping light of the fire, devilment sparking from behind the black mask.
A couple of ladies in full carnival dress, their heads clouded in veils of black lace, walked out of the ballroom, interrupting Venetia’s reverie. She looked up at the clock.  Firelight fell warm on the gold dial. Time had stopped for her. She was amazed at how long she had been standing there reminiscing about her lost life, feeling the echoes of a lost love. She should be returning to the party.
Venetia took off her Columbine mask.  She still sensed she was half in the past and paused for a moment with her hand on the door handle, listening to the voices and the people laughing, before turning it and going in.
The long room, flooded with a golden glow from enormous Murano chandeliers, was filled with people mostly hidden behind carnival masks, their disguises rich and colourful, glittering with the splendour of diamonds, rubies, sapphires and emeralds. Transformed by their costumes into stately drifting mountains of Burano lace, with bright trailing peacock skirts of old brocade, the ladies flicked fans before their faceless faces, their heads adorned with neat, small cockaded tricorne. The men too wore masks, but with noses protruding like beaks ̶ the famous ‘bauta’: the Venetian disguise par excellence. For many, the costumes consisted of voluminous black cloaks wrapped high about their neck, and with the white stockings on their legs they looked much like crows and magpies. Their heads were covered in large black tricorne hats with sweeping lines, trimmed upon the edges with flickering white feathers. There were also costumes inspired by historic court attire, and other fantasy-style masquerade dress. The surreal majesty of the scene reminded Venetia of the dusky painting ‘Il Ridotto’ by Venetian artist Pietro Longhi that she had always found so spooky, with its macabre eighteenth-century figures disguised in masks and shrouded in shadows.  
The heavy door shut softly behind her and she stood there unnoticed, looking at the guests in their fabulous attires, some masked and others not, all talking and laughing. She felt a little underdressed in her simple, frilled, low-bodice sobretta outfit, with its patchwork of red, green and blue diamonds and large white apron and mob cap trimmed with lace. It represented a woman of the people, Colombina, the perky maid in the Commedia dell’ Arte, the counterpart of Arlechino, and sometimes his wife. The costume had been given to her by her godmother for a New Year’s Eve masked ball in London, and it had won first prize; in fact it had been the fancy dress party at which she had met Judd; but that was years ago … so much had happened since … she must not think of all that now. She shook off her darkening mood and moved into the sea of revellers.
Unconsciously searching for him among this pandemonium of masks, Venetia did not see Paolo immediately. When she spotted him, she saw that he had bared his face and was standing at the far end of the room, a glass of champagne in one hand while the other rested on a Corinthian column. He gave an impression of fitness and steadiness, and the other men in the room appeared to Venetia washed out in contrast. Though his body was lithe, there was something almost frightening in his apparent strength and vigour, almost inhuman. She had to admit that Paolo, with his dark head and his deeply tanned face lit by those arresting cobalt eyes, was the most striking-looking man she had ever seen: like a fallen angel.  
He was surrounded by other figures of the Commedia dell’ Arte. There was il Dottore wearing a long black tunic with a jacket that reached all the way to the ankles, black shoes, a skullcap, and an unusual black mask that only covered the nose and the forehead; il Capitano in his suit with bright multicoloured stripes and gilt buttons, a feathered cap and a frightful sword; and Pulcinella in a loose linen blouse belted with a rope over thin tights and a huge warped belly, a hat and a half face-mask with a hooked nose giving him a bird-like look.
Paolo was watching Venetia intently, only half listening to the vivacious blond cortigiana in a splendid golden outfit with plunging neckline and a tall conical hat. His head stood out distinctly against the ochre wall, his gold-bronze face beaming now as his host approached. They spoke for a few minutes before threading their way through the crowd towards Venetia.
Il Conte Umberto Palermi di Orellana was a tall, aristocratic, handsome man in his early thirties who was known to be a bon viveur and a philanderer. Tonight he was Lelio, the elegant innamorati, the lover of the Commedia dell’Arte, in a sumptuous court dress of the eighteenth century. As was customary for that character, he did not wear a mask. He had met Giovanna Lombardi, Venetia’s godmother, at a drinks party. A few weeks later, he had approached Giovanna’s firm, Bianchi e Lombardi: Architetti, to take on the refurbishment of Palazzo Palermi, which he had just inherited from his father and which was in need of a total face-lift.
The renovation and redecoration of old historic buildings was Venetia’s speciality and the Palazzo Palermi had become her first big project while working in her godmother’s firm. After graduating from Cambridge, she had done a master’s degree in History of Art at the Courtauld Institute of Art in London, and then had spent some time at Instituto per l'Arte e il RestauroPalazzo Spinelli’ in Florence. Even though she showed great promise in straightforward architecture, Venetia did not feel it was her calling. And so Giovanna had put her in charge of Marmi Storici e Pietra, the department for the restoration of historic buildings where Venetia was able to develop her talent for restoring mosaics and murals. She had immediately excelled and was beginning to make a name for herself in Venice.  
Still, as her first major venture, the job had taken almost a year to realise, during which time Umberto had tried every trick in his book to seduce the young woman. It had all been to no avail: his Adonis good looks and his charm left her cold. By the end of the assignment, not only had Venetia managed to carry out the works to completion without falling out with the notorious womaniser, but she had also gained the Count’s admiration and respect. So much so, that he had asked her to marry him. She had been careful to turn him down gently. Umberto had taken the rebuff graciously but told her that he would not give up hope and she could be sure he would be asking her again.
‘Venetia, cara, you look amazing,’ Umberto Palermi oozed, taking her hand and bringing it up to his lips, his eyes brilliant with lust. ‘I have neglected you all evening. You must forgive me.’ Not waiting for her reply, he added: ‘Have you met my best friend, il Signore Paolo Barone?’ and, turning to Arlecchino, he introduced her. ‘La Signorina Aston-Montagu, who waved her magic wand over this place and from a heap of ruins turned it into a magnifico palazzo.’
A twinkle lit Paolo’s pupils. ‘No, I don’t think I have had the pleasure of meeting the signorina,’ he declared, a deep and sexy cadence in his voice.
Venetia felt herself blushing. It was really annoying not to be able to control one’s colour. Looking up at Paolo, she was sure he must be aware of the effect he had on her. With luck he would conclude that it was actually Umberto’s proximity that was affecting her in this way. His powerfully masculine glance swept over her and she felt an involuntary heat unfurl deep down. Remembering her manners, she put out her hand.
‘How do you do?’
Suddenly, there was a violent blast of noise before their hands could make contact.
‘Ah, the fireworks have begun,’ exclaimed the Count, taking Venetia’s arm. ‘Come, let’s go outside.’
The heavy brocade curtains were drawn back by young pages in eighteenth-century court dress and the elegant floor-to-ceiling windows were pushed open, inviting guests onto the wide veranda. Venetia was grateful for the interruption that was taking her away from Paolo’s silent scrutiny. No man since those far off days had stirred her as he did, almost from the moment they had met on that strange, dramatic evening. And while Umberto escorted her onto the terrace, although she could not see him, Venetia had no doubt that Paolo’s eyes were still dwelling on her with that curious expression she was beginning to know, and which puzzled her so.
Umberto’s palazzo, only a few streets away from San Marco, had an enviable view over the waterway, where the neck of the Grand Canal joined the broader stretch of water in front of the city’s famous square. The wide canal had filled with boats and barges gliding along the dark water like fireflies: each vessel was trimmed with arches of leaves, plume-like clusters of ferns, and festoons of laurels, lit up with hanging paper lanterns and slowly drifting through a swaying mass of gondolas.
From the far end of the Grand Canal, among the docks and shipping, the muffled darkness burst suddenly into a festival of dazzling light, as the mysterious night sky became starred with jewels of fire.
The fireworks soared into the air; they broke into raying diamonds of brightness and then floated towards earth, expiring in their downward flight. Other little points of light appeared, followed by tongues of flame rushing up from different places and flowing out large luminous bubbles of silvery-blue and green and sapphire. One after another, the rushing rockets sprang hissing upwards and, towering far above the water, burst with a soft shock into a golden sheaf of fire. They hung uncertain for one moment in the sky, and then came showering down.
Clouds of pearly smoke billowed out from under the trees on the Piazza, turning from ruby to rose, from yellow to opalescent green – curling mists that enriched everything around and transformed the crowds and buildings into a fabulous, surreal painting soaked in gold.
And then, from out of the obscurity, a crystal waterfall curved up like a wave and streamed down into the darkness, white, noiseless and shimmering; on and on the miraculous river of silver flowed over and melted away, and a great uproar surged from the masses watching from the boats and on the shore.
Venetia was aware of Umberto being called away at this point and she was relieved that his rather overt attentions next to her were now gone, but Paolo had remained. She could feel his eyes on her, close somewhere, and she shivered slightly though she was transfixed on the scene of great splendour and movement above her. She watched, fascinated, as huge plumes of golden spray tossed high in the sky, looking like dissolving feathers of fire, and wheels of green spun madly to extinction, hurling burning sparks from them and blooming fire flowers.
There was a pause, before the spectacular finale. Soft stars of colour shot up, soaring into the night. One after another, bouquets of primrose, coral and lilac rose slowly into the sky, blossomed exotically there, flamed, floated, and then vaguely fell, as if faint with an excess of beauty, into the inky water below, which received them and folded them to itself with a kiss.
It was the first time Venetia had witnessed firework displays on such a magnificent scale from so close, and a strange excitement coursed through her like the blazing colours that had exploded across the dark sky above. ‘A dream being born in the night air,’ she murmured to herself, as the glimmering wonder ended.
‘Just that one moment of insane beauty before they consume themselves and die,’ answered Paolo’s voice out of the darkness.   
Venetia was now even more aware of his disconcerting presence behind her, as Paolo’s low voice seemed to caress her provocatively, and she was not sure whether she wanted to welcome his company or flee it.
After a brief moment, she heard him whisper again. ‘Life ought to hold that once for everyone.’  
‘And sometimes it does,’ she breathed, without turning round. The evening had taken on a vivid and surreal magic that she did not want to let go of. She did not need to speak to him to know that he was feeling it too, and this connection between them that needed no words, intrigued and scared her in equal measure.
The guests were crowding back into the ballroom. Paolo silently took Venetia’s arm and guided her away from the crush towards the balustrade that overlooked the canal. Leaning his back against the stone, he took out of his pocket a packet of cigarettes and offered her one. She declined.
‘May I?’
‘Yes, of course, go ahead.’
He lit the cigarette, drew on it deeply and shook his head. ‘Quite a spectacle, don’t you think? The last moments of joy before the imminent penance of Lent!’ He gave a deep throaty laugh that somehow made her join in.
‘It really was a magnificent show. I’ve never seen anything like it!’
‘Only the Venetians know how to celebrate in such an extravagant way. It’s all part of a long history of revelry and decadence in this city, where prince and subject, rich and poor joined in the festivities, and could move around in complete safety and freedom in the secure knowledge that their identity remained incognito. Carnival fulfils a deep human need for subterfuge, don’t you think?’ He gazed at her again, his expression unreadable.
She glanced at him sideways. ‘I suppose it’s an occasion for people to hide beneath a mask and to change a role they have in ordinary life.’
Despite the cold, they remained outside for a while, silently savouring Venice in moonlight. All the lights of the great city were reflected and broken up into countless points of fire, like diamond dust, in the ripples of the Grand Canal; and a velvet canopy of sky, powdered with stars above, sparkled over the distant roofs.
Paolo had turned away to stare at the dazzling view that lay in front of them. ‘None of the works of art of man equal the sight of Venice by the Grand Canal when the moon is up,’ he murmured, as though to himself, his attention riveted on the endless line of palazzi, the ghostly whiteness of their marble fronts rejuvenated by night. ‘For a few hours the moon hides the city’s frightful rotting façades behind a transparent silver mask, giving her some fairylike quality, a sort of innocence. Looking like this, one would never guess at the decay which gnaws at her core.’ And then facing her again, he added, ‘A rude awakening for the unsuspecting tourist when daylight comes, don’t you agree?’ His voice was passionate, a touch melancholy, and the deep timbre of it once again drew her to him in that curious way she found difficult to fathom.  
His words echoed Venetia’s thoughts, but not quite. Ever since she could remember, Venice in moonlight had a strange magical power over her. She didn’t see the decay, only the enchantment. The whiteness of Paolo’s collar threw the darkness of his tan into relief. She remained silent but was aware of him like never before. For once she held his smoky-blue gaze, disturbed by its sad expression and the bitterness in his voice. They stared at each other, a curious feeling quivering inside her, like the vibration of a violin string after it has been played. It was no more than a moment, but it seemed so much longer to Venetia and it left her uneasy.
She glanced at her watch. ‘I really must be going.’
‘There’ll be no vaporetti running at this hour,’ Paolo remarked, his gaze still intent on her face, ‘and even if there are a few, they would not be safe. Too many drunken people out tonight looking for a good time. Let me give you a lift. My launch is not far off.’
‘I’m sure I’ll find a water taxi without difficulty.’
And then abruptly, his eyes darkened. ‘What is a pretty woman like you doing out on the town on her own, on a night like this? I can’t believe you have no fidanzato, Venetia. Is the man away? Do you have no father? No mother? No brother to care for you?’ His outburst was almost angry as he threw down his cigarette, crushing it vigorously beneath his heel.
Venetia bridled with irritation, though it was mixed with an odd thrill at the sound of his using her name for the first time. The questions were rather forward, she thought, choosing to focus on her sense of outrage. The fact that he had rescued her from a robber’s assault did not give him the right to be personal. The added vehemence of his reaction was too territorial for her liking. Venetia abhorred a macho stance in men. After all, it was to get away from a domineering father that, when her mother died, she had decided to make her life in Venice.
She forced a stiff smile to her lips. ‘Really, I’ll be fine. Thank you for your concern.’
Paolo sighed. ‘As you wish, signorina, but at least let me walk with you until you find a taxi. I don’t think you realise what the town will be like on this Carnival Night. Don’t forget, it’s the first carnival of the new millennium. I dare say the people of Venice will be celebrating tonight with even more enthusiasm than in previous years. The Piazza San Marco, which you must inevitably cross, will be the scene of Babylonian events one can hardly imagine.’
Venetia hesitated. He was probably right; she had already found the journey a little hazardous on her way to the ball. Still, she was uncertain. Sometimes the power of his presence frightened her; she sensed a possessiveness which she felt smothered by, even though he sounded really concerned and she knew perfectly well that his comments were sensible.
Paolo frowned and his mouth narrowed a little. ‘What are you afraid of?  You risk much more going through the town on your own than if you ride alone with me in my launch.’ His face softened as he tried to suppress a smile. ‘I promise you I’m harmless.’
They laughed. He had a point. ‘Alright, I agree that it would be rather risky for me to walk through the crowds on a night like this,’ she admitted meekly. ‘I will still insist that you only accompany me until I find a taxi, though, and then we’ll part company.’
‘Very well then,’ he shrugged, but his eyes held amusement. ‘You’re an exasperatingly stubborn young woman.’
After gathering their cloaks, they went in search of their host to take leave. Venetia sensed that Umberto was slightly put out that they were leaving together; he gave them an acid look but refrained from comment.
The chilly breeze with its tang of salt was invigorating after the smoky atmosphere of Palazzo Palermi. Venice tonight was a city of rapture. It was late, but the carnival was still in full swing. The crowds were surging through the security barriers to fight each other, playfully throwing flowers, and dancing in the streets. The poliziotti were good-humouredly trying to keep them back, but it was a gesture doomed to failure as the scrum continued to hurl itself across the streets.
Like a diamond, this magnificent city, Queen of the Adriatic ̶ dubbed La Serenissima  ̶  seemed to offer a thousand facets. There were stars in the sky and glitter everywhere else: the arcade in San Marco square was brilliantly lit, the shops and rows of alcoves a shimmering crystal grotto, secular and ecclesiastical buildings transformed by lights into something still more glorious. But that was only the stage on which figures seemed to move. They were caricatures of life, on the verge of the unreal, amusing as well as sinister and disturbing. The music was loud and noisy, with blares of sound coming from every corner. Vivaldi poured forth through loudspeakers and pre-Lenten celebrants danced by the thousand through the floodlit piazzas, their faces hidden by expressionless masks with slit eyeholes.
Paolo was right. Everywhere Venetia looked was crowded with masked people singing, embracing without restraint, in a vast, sprawling commedia. Hidden behind their disguise, it was as though they were indeed free to act as they wished, uninhibited by custom or convention. Venetia was grateful to have accepted Paolo’s invitation to accompany her, at least until she found a taxi. Legions of revellers stood roaring with enjoyment on the quayside of the Dogana and the Salute; and in a mass of highly decorated boats, some more spectators waited for the ladies’ regatta on the Grand Canal, an unusual and clearly welcome spectacle of women rowing boats in a race.
Paolo walked briskly, holding Venetia’s arm protectively, subtly proprietorial, shielding her with his stalwart body against any possible chance contact with those revellers thronging the squares and the bridges. For just a moment she forgot her misgivings, thinking only that this man, who seemed so steady, so self-assured, was different from the usual men she had dated over the last ten years. He was an intriguing mixture of sophistication and macho maleness, and she felt strongly attracted to him.
They had been walking through the crowds for almost half an hour. Venetia had to face facts: there were no taxis for hire; everybody was celebrating.
‘Alora, signorina, how do you feel? Will you now accept a lift in my launch, or would you prefer us to spend the rest of the night wandering aimlessly in Venice?’
They had reached a quay where a number of luxurious launches were moored. The smile he gave her as she met his piratical gaze lit up his face with a sudden boyishness, lifting from it the lines of bitterness that she had perceived earlier on the veranda.
‘To tell the truth, I feel rather irresponsible.’ She looked down a little sheepishly.
He placed a large hand on her shoulder and gave it a brief squeeze. ‘Non ti preoccupare, don’t worry, no harm done. My launch is here.’ He signalled towards an elegant boat in beautiful polished mahogany, with her name, ‘La Serenissima’, written in dark-red letters on the side. It’ll be no trouble to drop you off at your apartment in Dorsoduro. As I’ve told you before, it’s on my way.’
‘Thank you. I really don’t know what I would have done without you.’
‘We say in Italian, ‘la necessità è la madre dell’invenzione’, necessity is the mother of invention.’
‘As we do in England, as well as “Don’t look a gift horse in the mouth”!’ replied Venetia, laughing nervously.
He held out his hand to help her aboard and as she prepared to step down into the launch, Venetia let go of the big black-and-white striped mooring pole. The boat rocked and she faltered, losing her balance. She would have been sent reeling down into the slimy water had not Paolo, with remarkable deftness, caught her, and she fell against his chest, the breath smashed from her breast.  
The hands on her upper arms were iron-hard. The length of his body was so close to hers that she was unable to stop her own body’s response as once again a heat darted down inside her. Paolo murmured something into her hair which she did not grasp, and she looked up, what seemed an infinite distance, into blue irises so bright that they appeared almost like sapphires. Her mind emptied.
For a long moment they stared at each other, oblivious of everything else. Paolo pulled Venetia a little tighter against him and her hand slipped down to his chest. She could feel the steady thump of his heart under her fingers and sensed the warmth of his skin radiating through his clothes. His muscular body was lean and hard, and the spicy fragrance of his aftershave tinged with tobacco went straight to her head. His face was so close now that she could see the deep creases at the side of his eyes and his mouth, and other faint lines, a little lighter, which stood out on his parchment-tanned skin. Up this close, he looked older, with a few stray threads of grey in his thick black hair. Despite the noise and the pandemonium surrounding them, they stood clasped together as though alone in the world.
Flames ran through Venetia, and suddenly she wanted quite desperately to move even nearer to him, for his arms to hold her snugly in his embrace, to feel his mouth close over hers, to … She shut her eyes as she felt her need intensifying – the painful yearning for his caresses … This was not only madness, it was dangerous; but it had been a long time since she had felt this stirring inside her, since she had been aroused by the heat of a man’s body, since an emotion had possessed her with such violence. Venetia knew what this was and she hated it, but still could not help herself.
‘You’re tired, you can hardly stand up. Come inside and sit down, you’re shivering.’  Paolo’s voice came to her through the reluctant fog of her desire, as he guided her to one of the soft leather seats inside the cabin. He sat her down, brought her a thimble-size glass of grappa and settled himself beside her, after having poured one for himself.  ‘Here, drink this, it will warm you.’
‘Grazie. Ancora una volta sei venuto in mio soccorso, once more you've come to my rescue,’ she said, a new  elation  in her voice as she took the glass from Paolo’s hands and tried to calm herself. She was thankful that he had been ignorant of the insanity she had been prey to for a few moments, and hoped he had not noticed the deeper colour that throbbed in her cheeks.

About the Author

Hannah Fielding is an incurable romantic. The seeds for her writing career were sown in early childhood, spent in Egypt, when she came to an agreement with her governess Zula: for each fairy story Zula told, Hannah would invent and relate one of her own. Years later – following a degree in French literature, several years of travelling in Europe, falling in love with an Englishman, the arrival of two beautiful children and a career in property development – Hannah decided after so many years of yearning to write that the time was now. Today, she lives the dream: writing full time at her homes in Kent, England, and the South of France, where she dreams up romances overlooking breath-taking views of the Mediterranean. 

Hannah Fielding can be found at her website and at the following places

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